Sue has spent her life married to an empty space.
A man who wasn’t ever there; not with her anyhow.
And she fooled herself into thinking her manufactured life had been manufactured by her.
But a perfect life is not always what it seems and her husband made her realise that.
When Sue meets Ann, an employee of her late husband, she finds a soul mate in more ways than one. And following a chance conversation, they hatch a plan to laugh, to drink, to joke and to make fun with impunity about the afterlife and those who ask the question “Is there anybody there?”
But life can bring with it unexpected turns and what begins as a joke soon becomes much more.
‘Is there anybody there?’ explores a range of emotions, expectations and fears ...
It questions what motivates us, what we want out of life ... and what we think about what might come after it.
It explores friendship and what we expect from it and then within the cracks between relationships, what is really going on and what happens when it goes wrong - and why.
Finally, it considers those times when we are alone and assess our lives with that inner monologue we all rehearse; what part of us is actually speaking and what part answers us back?
The journey the characters go on begins and ends in two very different places and the question of the piece is not resolved ... that is a matter for the audience to decide.
What will you decide? Was anybody there?
To enquire about a licence to perform this play, click HERE
The artwork for this piece is an original commissioned piece by the artist Victoria Mironenko.
Sue: Tracey Rontree
Ann: Nicky Mead
Woman: Jenny Savill
Sue: 35/45*. Attractive, slim. Always well, and expensively, dressed. She is self-assured, hard, bitter, in humour and in anger. Underneath and later, she is vulnerable, and her demons come home to roost.
Ann: 35/45*. Business like, ‘safe’, initially, but there is a feeling that now and again, her character suggests that there is more to her, unexpected, uncharacteristic. In the beginning, she comes across as a person who sees in Sue an opportunity to be somebody very different, have a laugh, take risks. A trusted friend. But in resolution, she is dark, manipulative, chilling.
The Woman: 35/45*. A complicated character and very difficult to read, judge, categorise who or what she is. She is controlled, unemotional, expressionless, detached, calm, precise, articulate. At no point is anything said which indicates the nature of what she represents. I think to have the audience never having any definitive answer is the crux of the piece; let them imagine who or what she is. For the premiere she was simply dressed: jeans, white T-shirt and bare feet.
*No matter what, I would suggest that they all need to be a similar age and therefore, the playing ages of the actresses as a group, may be adjusted upwards to accommodate this. Their language and experiences would not, I would suggest, allow for them to have a playing age which is younger.
Please note that the script for this play is contained within the published collection from the author, 'The First Ten Plays' which can be purchased from this site by going to the 'In Print' tab.
The artwork used for the premiere production is a licensed image supplied by triggerimage.co.uk
Gallery photographs courtesy of Colin Smith.
A video showing the set for the premiere may be viewed by follow thing this LINK
Just some of the audience feedback on social media following the premiere:
“A very original and entertaining piece of theatre”
“A really thought provoking play. I loved it … what a mixture of emotions”
"Really enjoyed last night. Great play, funny and dark at the same time. Highly recommended."
"Brilliant in every way. Totally loved it. Well done to all of you. Martin has such excellent writing skills; I actually couldn't wait to get back in the theatre at the interval to see how things panned out. Totally awesome."
"... give us more of this writers plays ... the cast held me all the way through. Brilliant!"
“It was funny, insightful, modern, very witty and thought provoking dialogue. It twists and turns and it grabs you. The staging was original and creative. Simplistic and clever, but that didn't matter because all three performers had you gripped all the way through. They could have performed on a bare stage and it would still be brilliant. I really was impressed … brilliant piece of original theatre”
"Seriously, the play was fabulous. Get down there this week."
John Mercer, Tameside Reporter : "Twists and turns ... mysterious ... evocative ... makes you sit up and think ... haunting ... spine chilling. All in all, this is a great piece of theatre with lots of laughter..."
Sue Holden: "Is there anybody there - there certainly was.
How great to see GBT with significant attendance for this play. Whilst I understand the drivers of artistic variety, and this may be controversial, but I believe plays which are engaging and entertaining are the mainstay of a local theatre group. I am not a connoisseur I just know what I Iike and I didn't just like this play I loved it. It had everything packed into one, comedy, tragedy, mystery and intrigue. It had me up and down like a roller coaster and each of the three performances was outstanding. The set and staging was brilliant. So GBT more plays like this please.With a final note to the generosity of the author in bringing this awesome play to GBT."